TOUCHING LIGHT PHOTOGRAPHY

RICHARD MITCHELL, PHOTOGRAPHER




    CARING FOR YOUR PRINTS (back)

     

  • In order to obtain the maximum lifespan for your new prints, it is important to follow a few guidelines for preserving the print quality.

  • Large-format prints from Touching Light Photography are printed using high-quality inkjet printers, papers, and inks in a process often referred to as “Giclee” printing (“Giclee” is just a fancy term for inkjet!).  All prints 8” x 10” or larger are produced on an Epson 7600 wide-format printer using genuine Epson UltrachromeTM pigment-based inks and customized color profiles to provide accurate color matching and the widest color gamut.  All prints are made on genuine Epson Premium Luster Professional Photo Paper.  Postcard prints, and prints smaller than 8” x 10” are produced with Epson pigment-based DuraBriteTM Inks on Epson Glossy Photo Paper. 

    Touching Light prints are originally captured on 35mm film or by direct digital capture.  Prints larger than 12” x 18” are produced by “stitching” together a large number of images, to achieve resolution suitable for large-format prints (up to 85 megapixel final image resolution!).

    Print lifespan:

    The combination of UltrachromeTM pigment-based inks and professional acid-free Premium Luster paper provides excellent print stability, with prints having a lifespan rivaling that of some of the best chemically produced color prints.  When properly displayed (framed under glass in low to moderate-light conditions), you can expect your Ultrachrome print to show no noticeable color change for 80 or more years according to data from Wilhelm Imaging Research, Inc. and Epson, Inc.. 

    Avoid exposure to atmospheric contaminants or direct sunlight:

    Storing small prints in photo albums protects them from both airborne contaminants and light and assures them the longest life.  We recommend using acid-free, archival sleeves available from camera shops and other retailers.  Prints stored in photo albums have the longest life.

    For display of large prints, mount prints under glass or acrylic to minimize exposure to humidity, cigarette smoke, and other atmospheric contaminants.  Avoid displaying prints in direct sunlight or near sources of very bright light.

    When storing unframed prints, keep prints away from extreme temperatures, high humidity, and bright lights.  Don’t display or store prints outdoors.  Don’t store prints where they are exposed to chemicals.  Keep your unprotected prints (before framing) away from sources of ozone, such as monitors and TV’s, air purifiers or other sources of high voltage electricity. 

    Richard Mitchell

    Touching Light Photography

    Fine Art Photography

    Studio w Landscape w Nature w Macro w Cityscape 

    Woodinville, Washington 98072

    (425) 402-0932

    www.touchinglightphotography.com